Director Mohit Suri’s latest film Saiyaara is off to a powerful start at the box office. Featuring debutants Ahaan Panday and Aneet Padda, the romantic drama has struck gold in just two days.
Released on July 18, Saiyaara has already collected a remarkable ₹45 crore net in India.
The film earned an estimated ₹21 crore net on its opening day, July 18. On Day 2, July 19, collections surged to around ₹24 crore, according to early estimates from industry sources.
This takes the two-day total to ₹45 crore net in the domestic market.
On Saturday, Saiyaara recorded 44.74% overall Hindi occupancy across India. Morning shows saw 28.14% turnout, which increased to 50.67% in the afternoon, and rose further to 55.40% by evening.
This data suggests growing interest and positive word-of-mouth for the film.
Despite being newcomers, Ahaan Panday and Aneet Padda have received praise for their on-screen chemistry. Their performances in Saiyaara have impressed both fans and critics.
Social media is flooded with videos of fans dancing in theatres, some even removing shirts in celebration.
Yash Raj Films (YRF) has produced Saiyaara, adding its brand power to the film’s promotion. Though the lead actors had minimal pre-release visibility, the strong marketing and emotional appeal seem to be working.
Saiyaara has become a box office surprise, challenging the notion that only stars pull crowds.
This film marks a potential career revival for Mohit Suri, whose last major hit was Ek Villain. Made on a ₹39 crore budget, Ek Villain grossed ₹155 crore worldwide.
Saiyaara may now repeat or even surpass that trajectory, especially with a strong weekend.
Veteran filmmaker Mahesh Bhatt praised Saiyaara as the defining romantic film of this generation. He compared it to his cult hit Aashiqui, which launched two newcomers and became iconic.
He added, “Mohit has chosen well. These newcomers are electric on screen.”
Bhatt also expressed happiness that YRF backed this project, crediting the studio for its cinematic credibility.
Ahead of its release, Saiyaara made headlines when CBFC cut 10 seconds of intimate visuals. The scene reportedly included exposure and romance, triggering online debate.
This minor controversy only added curiosity and helped the film trend before release.
The film’s success lies in its relatable storytelling, catchy soundtrack, and fresh faces. It taps into young love, heartbreak, and emotional longing – themes that resonate with urban youth.
Its simple narrative and rich visuals make it ideal for multiplex audiences.
With strong Saturday collections and rising footfall, Saiyaara is poised for a successful opening weekend. Early trends suggest Sunday’s collection may cross ₹25 crore, taking the three-day total near ₹70 crore.
This would place it among 2025’s strongest Bollywood openings, especially for a film with newcomers.
Trade experts believe Saiyaara can maintain momentum in its second week. Its limited competition, appealing cast, and word-of-mouth growth could help it inch towards ₹100 crore in its first 7–8 days.
If that happens, it will be a massive win for Yash Raj Films, Mohit Suri, and the young leads.
Viewers have taken to social media, calling Ahaan Panday the new face of Bollywood romance. Comments like “Pure magic on screen” and “Aneet is a breath of fresh air” are trending.
Several multiplexes in metros reported full houses by Saturday night.
The film’s soundtrack is topping streaming charts. Songs like “Saiyaara Re” and “Juda Hoke Bhi” are viral on reels and playlists.
The music adds emotional depth and supports the film’s core romantic themes.
Despite having no pre-existing fan base, the film gained buzz through a smart digital campaign. Influencer tie-ins, short teasers, and Instagram reels helped build momentum organically.
YRF’s strategic promotion proved that content still wins, even without big names.
Saiyaara proves that a good story, emotional depth, and smart execution can bring box office success. Backed by YRF’s legacy, Mohit Suri’s experience, and Ahaan-Aneet’s freshness, the film is striking a chord with the audience.
This post was published on July 20, 2025 11:57
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